Guest Post – Kath Middleton

Today I’m hosting the lovely Kath Middleton. Though we’ve never met in real life, I’ve ‘known’ Kath online from the days when she was a reviewer and great supporter of indie authors. She’s since crossed the divide and joined the writing ranks with a great deal of success. Without further ado, it’s over to Kath.

Genre

What’s a genre? People used to ask what kind of books do we like. That’s the genre. Some genres are more popular than others. Look along the shelves in your local library. Some genres cover many shelves, some one small section.

How do you become a bestselling author? Obviously you need to write a great book. It has to be literate—sounds obvious but there are books on sale that don’t follow the rules of grammar. Above all, you have to write in a popular genre.

Crime, thriller and police procedural are linked genres and are very popular with readers. Romance is another genre that sells well. I’ve read some stunning books in the Literary Fiction category, although I know that title can put people off. They expect it to be worthy or stuffy. People know what they like and steer in that direction. They don’t want to read something they are not expecting, in general. If they love science fiction they don’t really want it to end up as a bodice (or space suit) ripper. If they love horror they don’t want it ‘tainted’ with humour. If you want to write a best seller and make money, look at the top 100 books on Amazon and choose one of the most popular genres.

That said, many authors write because they need to scratch the itch. It doesn’t matter what the genre—in fact, I often don’t know what genre I’m writing till the book is finished. Even then, it may cross boundaries. Many of us, particularly independently published, write what we’re interested in. Lots of people are interested in more than one thing. I would find it tedious to have to restrict myself to one genre. I start with ‘what if?’ and move on from there.

In the days when everyone had to interest a publisher to get a book in front of an audience of readers, genre was particularly important. If a publisher accepted your thriller and it sold reasonably well, they would want another thriller. If you had an urge to write comedy, you had to suppress it. They wanted more of what would make them money—not whatever you felt the urge to witter on about this time.

Today, with indie publishing, people can follow their own interests. I know several authors who have written in more than one genre and some have written a kind of genre-mashup. A humorous thriller, a historical crime novel, a supernatural story that doesn’t dive straight into horror. Indie publishing has freed people to write what interests them, not what will guarantee big sales for a publisher.

These days I largely read indie fiction. It’s so refreshing to read what the author is driven to write, to scratch that itch. Most indies know they will never get rich. They could increase their chances by following the trends in fiction and by sticking to best-selling genres. I believe that if a writer isn’t producing books they feel strongly about, you can tell. If someone churns out books in a certain style just to make sales, there’s a deadness to the stories. I wouldn’t want to read that. I love something different and a bit edgy. Something the author is excited about. If the person who writes the book isn’t fired up with love and enthusiasm, you can hardly blame the reader for being unenthusiastic.

Let’s hear it for the genre mashups, the cross-genre books, the books you couldn’t fit into any single genre with a shoe-horn.

Oh, and the real way to make money with your writing? Ransom notes.

Links

Kath’s website: www.kathmiddletonbooks.com

To purchase Kath’s latest release: The Angel Monument

Bio
Kath Middleton began her writing with drabbles (100-word stories) and contributed a number to Jonathan Hill’s second drabble collection. It wasn’t long before she moved up a size to contribute short stories to anthologies. Shortly afterwards, she progressed to writing longer pieces and her first solo work, Ravenfold, was published to some acclaim. This was followed by the novella, Message in a Bottle. There are now several more books, from short stories to novels. Kath likes to put her characters in difficult situations and watch them work their way out. She believes in the indomitable nature of the human spirit (and chickens).
Kath is retired. She graduated in geology and has a certificate in archaeology. When she’s in a hole, she doesn’t stop digging.

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